Tuesday, 23 April 2013

Bloggers Gone Wild!

...Or as my husband keeps muttering 'Will the madness never end?'

It's Sunday and the sun is shining for the second day running (at last!). I have more fabric and patterns than I know what to do with. I'm thinking I need to learn how to make babaganoush. I have a tiny little hangover. I'm trying to decide which era of Joan Collins I would emulate for a fabled Joan Collins sew-along. I have so many projects in my head, I may need to start writing them down. My husband is laughing at how I stumbled through the door late last night happy and tired. And I've got a squillion more blogs to follow.

How did all this happen? Well, yesterday was the great London blogger meet up, as organised by Rachel of House of Pinheiro. And what a great job she did!

Rachel of House of Pinheiro - so calm despite having to herd 40+ sewing bloggers around London

 She thought of everything - concise emails, with links to all of the attendees' blogs, a lovely meal in a restaurant all to ourselves (also organised with the help of Janene from ooobop!), a swap, a goody bag, professional pictures - you name it, she had it covered!

I'd never been to one of these events and was a little nervous. I always get worried about saying the wrong thing, talking too much, not talking enough; you know, all the usual anxieties. But there were so many talented people I recognised, and everyone was so welcoming and friendly I relaxed straight away. We started in the Victoria & Albert Museum foyer, then moved to the cafe. And here are just a few of the ladies I was so fortunate to meet:

Marie - a Stitching Odyssey

Emma - Vintage Ink Fairy

Clare - Sew Dixie Lou
 (The great photos are courtesy of Digpal Singh)

 Then it was on the the courtyard for more mingling in the sunshine and photos:

(Apologies if I forget anyone's name - I knew I should have written them down)

The whole gang - what is the collective noun for a group of bloggers?

Rehanon Misdemeanour and Janene Ooobop - they look like they're up to something...

The tall ladies - Kathryn of Yes, I like that, Shivani of Pinnypinpin, and the unflappable Rachel

I meet Kathryn at last! It was a pleasure. And a small sneak preview of my new capelet - post to come.

That's Roisin in the middle of Dolly Clacket - she had great shoes that matched her dress beautifully!
 Then on to the main event - fabric shopping on Goldhawk Road. 


Bloggers preparing to hit the shops!

We were fortunate enough to be joined by the King on this occasion.
 
I had mentally limited myself to fabric for 1 project, but of course I bought enough for 2 projects. Add on some replacement sewing machine needles, and I spent approx. £25, not bad for 5m. Here's what I got:

The one on the left - project unknown, but too lovely to leave.The one on the right - I'm seeing a 1930's style dress for the summer.


I don't know if this was the worst or best fabric of the day - plastic quilted Cosmo covers

Our time in the shops was limited - probably a good thing, or I would have spent way too much money - as it was time for lunch:


After eating my own weight in beautiful babganoush and marinated chicken, it was downstairs for the epic swap




You could bring as much or as little as you wanted; I'd actually meant to bring more, but in the end decided to hang on to most of what I'd earmarked for swapping. But luckily the few bits I took went to good homes, and I couldn't help but adopt some bits for myself:

 
 
The 3 J's - Janene, Jenni, and Joanne of Sew Little Time inspect their hauls

 After this members of our merry gang started to peel of for journeys home, etc. Being easily persuaded, I was enticed to the pub for a couple of drinks, and then because we were on a sewing high, on to Camden for a rock'n roll night, with all of our bags of fabric in tow.

And that was the fabulous meet up. The authorities didn't have to be alerted, a wrinkle in time wasn't produced by our collective enthusiasm, and some wonderful friendships were made. I couldn't fit in photos of everyone, but it was also great to meet Sally of Charity Shop Chic, Amy of Almondrock, Hannah of Sinbad and Sailor, and Lizzy of Sew Busy Lizzy. I've got an excess of projects and ideas swirling around my head, enough that I'm feeling slightly hysterical. 

And I nearly forgot - I have somehow ended up with the bag of patterns that were left behind at the end of the swap and now have the great responsibility of finding them good homes. If anyone wants a slanket pattern:


 
 I'm your woman!

See you soon!

Wednesday, 10 April 2013

A-lines and Concrete - Simplicity 5096





I've mentioned before that I have to wear black for work.  To say it's boring is an understatement; most days you'll see me in my own personal uniform of black skirt, scoop neck top and cardigan. I have a few dresses that liven things up, but I admit that sometimes I feel a bit stuck in a rut when it comes to my work wear.

That's why I decided to make this little number, just to give my professional wardrobe a bit of a shot in the arm. It's a shape I don't usually wear, and from an era (the 1960's) that I don't usually sew from, but it felt good to have a bit of a departure from the norm.


This dress was really easy to make up - it went together so easily! I cut the seam allowances at the front 1" rather than the standard 5/8"/1.5cm, in case I needed to make any adjustments over the bust, but there was no need in the end - fitted beautifully! I also added a self drafted Peter Pan collar (see previous post) in black satin, just to make it a little more interesting.


I matched this to the bow at the front:


The main body of the dress was made out of a pretty standard poly-cotton twill. I added a contrast lining to the skirt of the dress in shocking pink - take that, work uniform rules!:

Pink polyester lining, and pink binding on the sleeve hems.
And in tribute to the patterns 1960's origins, Mr Needles and I spent an afternoon in the cold spring-time sunshine at the Barbican in East London, pretending we were David Bailey and Jean Shrimpton (or maybe more Eric Sykes and Hattie Jacques)



So there we were, wandering around what's apparently Europe's biggest performing arts venue, admiring what we thought was a fine example Brutalist architecture from about 1968:



The double 'M' was even mentioned - Mad Men. I love that show, but cringe involuntarily whenever I hear it used a shorthand for describing anything from the 1960's. It seems to be thrown about randomly, applied to anything from hip young fashions of the time, to little tweed suits worn by wealthy older women. What I love about the series is the distinctions the costume designers make between old and young, rich and poor, hip and un-hip. After all, not everyone was 'swinging' in the 60's; if anything, the majority were like Don Draper, leading pretty conservative lives, puzzled by the Beatles and all the rest. The series has manages to steer clear of all the cliches that you think the 60's were all about - white go-go boots, velvet suits, plastic moulded furniture and all the rest.


So imagine my embarrassment when I bothered to do some research into the Barbican's history, and realised ground wasn't even broken on the site until 1971! It was officially opened in 1982! I fell into the trap of thinking this was a typically 60's complex, all Corbusier-esque cities in the sky, and I was completely wrong!

To hell with architecture and all its confusing eras and ism's, I'm going to the bar:


 See you soon!

Wednesday, 13 March 2013

Drafting a Peter Pan Collar

The first thing I ever learnt to draft was a Peter Pan collar, back when I was doing A-level fashion and textiles (like high school, for the benefit of non-British readers). Its really easy, and I've never forgotten it. And now I'm passing it on to anyone who cares to read this post!

I can't take credit for most of this technique - most of it's borrowed from 'Make Your Own Dress Patterns' by Adele P Margolis , which I discovered as a teenager and thoroughly recommend to anyone who wants to alter patterns, or even start drafting from scratch. 


Besides the clear instructions, I love it mostly for the diagrams (I go nuts for a clear diagram!) and the brilliant fashion illustrations:



Anyway, on to drafting the collar. You can use this technique to apply a collar to an existing pattern. First, you have to determine if you'll need a 2-piece or 1 piece pattern. 2-pieces will be needed if your top is fastening at the back; seam allowance will have to be accounted for at the center back. A 1-piece will be used if your top is fastening at the front, or is on a neckline wide enough that you can just pull it over your head; in this case the center back is usually placed on a fold when cutting out.

A one piece collar which fastens at the front
The obvious approach would be to match the shoulder seams of your front and back bodice, trace the neck on to your paper, then draw the collar. But this is WRONG!

Shoulder seams matching - not a good start!
Drafting the collar this way would result in a collar that lies completely flat against the bodice. Ideally, you want to create a 'roll', where the collar stands up slightly from the garment. According to Ms Margolis, 'Aside from improving appearance, the roll has the additional merit of hiding the seam that joins collar to garment.'

A previous project, showing a peter pan collar with a roll at the neck
So how do you create this mysterious roll? Simply by matching up the shoulder seams and neck point as in the picture above, but then overlapping the shoulder seams by 1/2"/1 cm at the armhole edge. This will change the shape of the finished collar line, so that when you apply it to the bodice, the desired roll will magically appear.

Shoulder seams overlapping 1/2"/1 cm - this is necessary to create a 'roll' around the neck
 You can play with this roll - the more you overlap the shoulder seam, the more you flatten out the collar seam, and the higher the roll will sit on the neck. But 1/2"/1 cm will give you a standard roll.

Next trace around the neckline, marking center front and back and neck point. 

Tracing around the neck seam
 Remove your original bodice patterns, then mark out the desired shape of your collar. I don't have a guide for this - I used a top with a collar I like as a guide, then drew this out with seam allowances added.


Marking out the final shape

The finished pattern, showing center front with curve, center back with seam allowance, and the point where the shoulder seam should sit
My version will be for a dress with a zip at the back, so I've added seam allowance at the center back.

Now it's down to cutting and sewing. Remember, if you are making a 2-piece collar that fastens at the back, you'll need to cut 4, ie 2 top pieces and 2 bottom pieces. For a 1 piece collar, you'll need to cut 2 pieces, ie 1 top and 1 bottom piece, usually with the center back placed on a fold.

This post is meant to be about drafting the pattern so I won't go into the detail of sewing the collar, which suffice to say is pretty straight forward. Here's the final result:

Finished front view

Finished back view

And there you have it! I hope this has helped anyone who wants to add a little extra to their outfits!


Wednesday, 27 February 2013

February Festivities

February is a big month in the Needles household - we both celebrate our birthdays, as well as our wedding anniversary. Add Valentines day on top of that, and you get about 10 days of celebrations. This year, as we're having a new bathroom fitted which drains funds (Ha! Ha!), I took a couple weeks off work and spent most of it knitting and sewing, as well as watching copious amounts of T.V. It was bliss!

Firstly, I finished Mr Needle's Hot Rod Sweater:



Then I made these gloves out of some wool I had from a previously abandoned project:

Free pattern here

Next, I made a pair of mittens with flaps, as I needed use of my fingers, but also the option to keep warm!





And finally, I've started this sweater, which I'm about one third of the way through, again made from wool from a previously abandoned cardigan:

from 'the Knitter' Magazine
After all of this knitting, I finally got round to properly setting up my Ravelry account: http://www.ravelry.com/people/nicoleneedles

It wasn't all knitting - I've started on a new dress for work, from a pattern I've had for nearly 20 years, but have only got round to making now:



I see it in black twill, with a black satin Peter Pan collar and a black satin bow detail in the centre front. Believe it or not, but I'm in charge of about 15 people at work, and certain outfits make me feel more confident in my role - I don't think anyone will mess with me in this dress!

I did venture out into the fresh air for a bit, namely to Manchester to visit friends and buy fabric from one of my favourite fabric stores, Abakhan's. Here's what I got for a total of £18, about £3 per meter - bargain! -

From left to right - a wool mix tartan, a cotton horse shoe print, some polyester lining for the dress above, and some Alexander Henry cotton
So I've got plenty to be getting on with - see you soon!


Friday, 15 February 2013

More Sewing Inspired Jewellery

First there was the Sewing Machine charm necklace by Juicy, then the Tatty Devine - inspired Measuring Tape Rosettes. Now, I present to you - the Bobbin Necklace:




This piece was inspired by a necklace I recently saw by Sakdidet Road, a Scandinavian (I think?) jewellery firm, who make a similar version in brass, but I prefer silver jewellery. After a visit to the plumbing section of the local hardware store for the chain (£1.50) and Beadworks for the clasp (£1.20) - hey presto! - I had a new piece of jewellery to declare my love of sewing to the world!



 Take care!