Friday, 27 January 2012

Reeling from a Blast from the Past - Lloyd Johnson Retrospective

What do the Cramps, the Clash, the Stray Cats, Liza Minelli, Madness, Rod Stewart, Siouxsie Sioux, Jerry Lee Lewis, Billy Idol, and George Michael all have in common?

They all wore clothes designed by Lloyd Johnson, who is the subject of a fantastic exhibition now on at the Chelsea Space in Pimlico. 'Lloyd Johnson - the Modern Outfitter' is curated by Paul Gorman, who I'm sure many of you will already know from his excellent book 'The Look - Adventures in Pop and Rock Fashion', and his blog of the same name. Through an extensive collection of archive pieces, the exhibition manages to tell the story of Johnson's unique position as tastemaker and outfitter to generations of fashion followers who took their cues not from the catwalks of Paris and New York, but from classic rock and roll.

The first section of the exhibition covers the beginning of Johnson's career, in the late 60's and early 70's. There are some brilliant Pop art shirts and jackets, and some great editorial pieces from the time, showing how Johnson quickly became popular with pop stars of the day, such as Kenny Jones from the Faces. There's even a photo of Fred Astaire wearing a jacket with a print inspired by him:




Detail of 1970's bat print shirt

The next sections are dedicated to the later stages, in the 70's and 80's, when Johnson opened shops in King's Rd and Kensington Market. I'd forgotten how they managed to cater for Mods, rockers, goths, rockabillies, punks and jazzy types under one roof, without it seeming strange - it just worked somehow.


To say I enjoyed this exhibition is an understatement. I'm still reeling from seeing upclose all the pieces I used to drool over as a teenager in the mid 80's. Whenever I visited London from sleepy Cambridge, I would rush to Kensington Market and make sure I spent time in Johnson's. I couldn't afford anything (I think I bought a pair of socks), but you had to hang out and just soak up the coolness of it all. I'd get ideas for looks I'd try to recreate myself, and spend time looking at all the fantastical creatures who worked there.

So when I walked in and saw this display, I could feel all that teenage excitement come bubbling to the surface:

A recreation of the Kensington Market shopfront


While I was mooning around Kensington Market as a teenager, Mr Needles was a bit more sophisticated, and often visited the King's Rd branch of Johnson's, as it was not far from where he grew up. He still can't really remember how he came by it, but here he is in a prized teenage posession, a rayon skeleton print shirt, alongside the original artwork for the fabric, and the same piece in the exhibition, minus all the rock 'n roll holes.




What really struck me while I took everything in was how we don't really have an equivalent of Lloyd Johnson today. His was a time when to work in a shop like Johnson's made you a minor celebrity - you had to look the part, and live the life to a certain extent (Some of the assistants went on to be in bands like 20 Flight Rockers and Transvision Vamp). Everything was designed in-house, from the fabrics, to the labels, shopfronts, fittings, and it all presented a single vision. All of this coincided with the launch of magazines like The Face, which were read worldwide by anyone who was interested in style, and regularly featured Johnson's clothes, therefore providing this small, independent brand with huge amounts of exposure. 

Today, we have the internet and unbelieveable exposure to all manner of ideas, but are we any more creative? And would a small retailer/designer be able to set up in the way Johnson did in the late 60's? I work in fashion retail now, and looking at the creative, spontaneous, design led approach that was favoured by Johnson (and others like Boy, AdHoc, and Robot) makes my job look like a dry wasteland. I bet they didn't have KPI's to hit, or appraisals to write - hell, they probably didn't even have an HR department. But I bet they had a lot of fun, and they were a lot more memorable. 

Anyway, let the clothes do the talking - here are some more photos:






Lux Interior of the Cramps in a gold leather suit from Johnson's. He wore this for part of their 'Date with Elvis' tour.



Liza Minelli in the same jacket as Lux Interior - who'd have guessed it?!

A close up of several fabric designs - eat your heart out, Alexander Henry...

Hand painted fabric designs - no computers......

Worshiping at the alter



If you want to read more about Lloyd Johnson, there is an excellent article here. If you're in London, go see this exhibition - not only is it hugely inspiring, it's also free!

Friday, 30 December 2011

The Coats Not Done, but I've Been Busy

I trust everyone had a lovely Christmas! Personally, I had a great time, but I'm a bit sick of meat, chocolate, and gravy, and feel a real need to de-tox.

Anyway...

A little while ago I did a post about starting this coat:

Pauline Trigere for McCalls, 1956

Well, it's about halfway done! Here's how it looks so far:


The basic outer shell is complete, but the lining still has to be attached, then the hems need to be stitched and the little capelet made. Maybe another week - or 2 - and you'll all be able to see the finished results!

But I haven't been idle - what with Christmas parties to make dresses for (see my Sid Vicious dress here) and various Secret Santa's to knit gloves for, my sewing machine and knitting needles have been humming and clicking away. I also found time to knit a few woolly bits for myself.

First, I made this hat from a 1940's pattern, using Debbie Bliss cashmerino:



This is the original. I know - it was meant for a young girl, but kids dressed like old ladies back then, so it didn't look so 'young' on me:      



Close up of finished hat
 Then, I made these fingerless gloves to match:


Finally, I had a bit of yarn left over, so I made another hat:


A beret!
And this was the pattern I used (bottom right). (Don't you think these ladies look a bit like a slightly off Pans People?)

I'm off to do some more work on my coat, and I'll see you all in the New Year!

Thursday, 22 December 2011

Christmas Swap Loveliness

Look what the postie brought for me! These lovely parcels came to me from Liz at Ginger and Shortbread, arranged via Lakota's blog. Mr. Needles told me I should wait until Christmas to open them, but rules are for breaking, and I don't have that kind of willpower.

So this is what was in store for me:


A whole bunch of crafty, vintagey loveliness, with a bit of a Scottish theme!

There was some gorgeous smelling soap, a little tin heart (that's going straight on to the tree), and a box of Edinburgh Castle rock sweets:


 Next up was a copy of the Simplicity Sewing book from the 1970's:


 Now anyone who knows me will know that I'm mad on sewing books and diagrams, so this was perfect! I already have an early 1960's edition of this, but this one was completely re-vamped, with some great images. Here are a couple:




 And last but not least, this brilliant tea cosy made by Liz herself:

Tea cosy in use!
I love all the colours, and the 2 little pom poms on top are the perfect finishing touch! Mr Needles kept trying to wear it!

Finally, a bit of Scottish cheekiness in the card from Liz:


Love it! 

A HUGE thank you to Liz for all the brilliant presents, and all the effort and thought she put into them. Everyone should look at her blog - she takes some beautiful photos of her local area, and has that special charity shop luck I just don't seem to posess. And thanks to Lakota for organising it all.

Happy Christmas, and see you all in the New Year!

Tuesday, 13 December 2011

Butterick 2907 meets Sid Vicious


How do you get from this nice, mid 60's raglan sleeve dress:



'Can I help you?'
To this punk inspired party number:


'Are you wasting my time'


This view looks like a superhero outfit
Close up of the zip sleeve detail
Words failed me when I tried to explain my inspiration, so see if you can figure it out from these photos -

Sid Vicious. I've been waiting for an opportunity to wear one of these belts since I was 13 years old.

Zandra Rhodes punk inspired collection from the 1970's.
Catherine Deneuve in 'The Hunger' - I've always loved the 40's as filtered through the 70's.
Jean Brooks in 'The 7th Victim' (1943) - creepy horror about Satanists in New York. They use a beauty parlour as a front for their evil activities!
Anya Phillips - manager of the Mudd Club. Classic sexy punk.
Debbie Harry in Stephen Sprouse

John Willie's 'Bizarre' Magazine - kinky stuff, but some brilliantly sexy images.

I made this dress specifically for the annual explosion of alcohol fuelled frustration known as my work Christmas Party. It started off civilised enough, but after a few hours of free prosecco, soaked up with a couple of canapes, scenes like this were commonplace:

Trying to pretend I'm a model in 'Bizarre' Magazine

'Not more dancing on tables, I already had my turn! Oh, alright - since you insist'


And yes, those are latex stockings in the 2 photos above - well, you only live once, and hey, it was Christmas! And now I'm probably going to end up with all sorts of weird search words on my blog stats ......